Saint Sebastian

    Image: Antonello da Messina, Saint Sebastian (c.1478). Oil transferred from wood to canvas. 171 x 85.5 cm. Staatliche Kunstsammlungen Dresden. http://skd-online-collection.skd.museum/de/contents/showSearch?id=177046, 22 September 2015.

    Antonello Da Messina

    The Dresden Gallery
     

    YOUNG Sebastian stands beside a lofty tree,
    Rigid by the rigid trunk that branchlessly
    Lifts its column on the blue
    Of a heaven that takes
    Hyacinthine hue
    From a storm that wellnigh breaks.

    Shadiness and thunder dout the zenith's light, 
    Yet a wide horizon still extends as bright
    As the lapis-lazuli ;
    Poignant sunshine streams
    Over land and sky,
    With tempestuous, sunken beams.

    He who was a soldier late is standing now
    Stript and fastened to the tree that has no bough,
    In the centre of a court,
    That is bound by walls
    Fancifully wrought,
    Over which the daylight falls.

    Arch and chimney rise aloft into the air :
    On the balconies are hung forth carpets rare
    Of an Eastern, vivid red ;
    Idle women lean
    Where the rugs are spread,
    Each with an indifferent mien.

    On the marble of the courtyard, fast asleep, 
    Lies a brutish churl, his body in a heap ;
    Two hard-hearted comrades prate
    Where a portal shows
    Distance blue and great,
    Stretching onward in repose.

    And between the shafts of sandy-coloured tone
    Slips a mother with her child : but all alone
    Stays Sebastian in his grief.
    What soul pities him !
    Who shall bring relief
    From the darts that pierce each limb ?

    Naked, almost firm as sculpture, is his form, 
    Nobly set below the burthen of the storm ;
    Shadow, circling chin and cheek,
    Their ellipse defines,
    Then the shade grows weak
    And his face with noonday shines—

    Shines as olive marble that reflects the mere
    Radiance it receives upon a surface clear ;
    For we see no blessedness
    On his visage pale,
    Turned in its distress
    Toward the heaven, without avail.

    Massive is his mouth ; the upper lip is set
    In a pained, protesting curve : his eyes have met
    God within the darkening sky
    And dispute His will,
    Dark, remorselessly
    Fervent to dispute it still.

    The whole brow is hidden by the chesnut hair,
    That behind the back flows down in locks and there
    Changes to a deeper grain.
    Though his feet were strong,
    They are swoln with strain,
    For he has been standing long.

    Captive, stricken through by darts, yet armed with power
    That resents the coming on of its last hour,
    Sound in muscle is the boy,
    Whom his manhood fills
    With an acrid joy,
    Whom its violent pressure thrills.

    But this force implanted in him must be lost
    And its natural validity be crossed
    By a chill, disabling fate ;
    He must stand at peace
    While his hopes abate,
    While his youth and vigour cease.

    At his feet a mighty pillar lies reversed ;
    So the virtue of his sex is shattered, cursed :
    Here is martyrdom and not
    In the arrows' sting ;
    This the bitter lot
    His soul is questioning.

    He, with body fresh for use, for pleasure fit,
    With its energies and needs together knit
    In an able exigence,
    Must endure the strife,
    Final and intense,
    Of necessity with life.

    Yet throughout this bold rebellion of the saint
    Noonday's brilliant air has carried no complaint.
    Lo, across the solitude
    Of the storm two white,
    Little clouds obtrude
    Storm-accentuating light !

     

    Antonello Da Messina

    The Dresden Gallery
     

    YOUNG Sebastian stands beside a lofty tree,
    Rigid by the rigid trunk that branchlessly
    Lifts its column on the blue
    Of a heaven that takes
    Hyacinthine hue
    From a storm that wellnigh breaks.

    Shadiness and thunder dout the zenith's light, 
    Yet a wide horizon still extends as bright
    As the lapis-lazuli ;
    Poignant sunshine streams
    Over land and sky,
    With tempestuous, sunken beams.

    He who was a soldier late is standing now
    Stript and fastened to the tree that has no bough,
    In the centre of a court,
    That is bound by walls
    Fancifully wrought,
    Over which the daylight falls.

    Arch and chimney rise aloft into the air :
    On the balconies are hung forth carpets rare
    Of an Eastern, vivid red ;
    Idle women lean
    Where the rugs are spread,
    Each with an indifferent mien.

    On the marble of the courtyard, fast asleep, 
    Lies a brutish churl, his body in a heap ;
    Two hard-hearted comrades prate
    Where a portal shows
    Distance blue and great,
    Stretching onward in repose.

    And between the shafts of sandy-coloured tone
    Slips a mother with her child : but all alone
    Stays Sebastian in his grief.
    What soul pities him !
    Who shall bring relief
    From the darts that pierce each limb ?

    Naked, almost firm as sculpture, is his form, 
    Nobly set below the burthen of the storm ;
    Shadow, circling chin and cheek,
    Their ellipse defines,
    Then the shade grows weak
    And his face with noonday shines—

    Shines as olive marble that reflects the mere
    Radiance it receives upon a surface clear ;
    For we see no blessedness
    On his visage pale,
    Turned in its distress
    Toward the heaven, without avail.

    Massive is his mouth ; the upper lip is set
    In a pained, protesting curve : his eyes have met
    God within the darkening sky
    And dispute His will,
    Dark, remorselessly
    Fervent to dispute it still.

    The whole brow is hidden by the chesnut hair,
    That behind the back flows down in locks and there
    Changes to a deeper grain.
    Though his feet were strong,
    They are swoln with strain,
    For he has been standing long.

    Captive, stricken through by darts, yet armed with power
    That resents the coming on of its last hour,
    Sound in muscle is the boy,
    Whom his manhood fills
    With an acrid joy,
    Whom its violent pressure thrills.

    But this force implanted in him must be lost
    And its natural validity be crossed
    By a chill, disabling fate ;
    He must stand at peace
    While his hopes abate,
    While his youth and vigour cease.

    At his feet a mighty pillar lies reversed ;
    So the virtue of his sex is shattered, cursed :
    Here is martyrdom and not
    In the arrows' sting ;
    This the bitter lot
    His soul is questioning.

    He, with body fresh for use, for pleasure fit,
    With its energies and needs together knit
    In an able exigence,
    Must endure the strife,
    Final and intense,
    Of necessity with life.

    Yet throughout this bold rebellion of the saint
    Noonday's brilliant air has carried no complaint.
    Lo, across the solitude
    Of the storm two white,
    Little clouds obtrude
    Storm-accentuating light !