The Blood of the Redeemer

    Image: Giovanni Bellini, The Blood of the Redeemer (c. 1460). Egg on poplar. 47 x 34.3 cm. The National Gallery, London 1887. Room 62.http://www.nationalgallery.org.uk/paintings/giovanni-bellini-the-blood-of-the-redeemer, 23 September 2015.

    Giovanni Bellini

    The National Gallery
     

    SUNRISE is close: the upper sky is blue
    That has been darkness ; and the day is new,
    Bleaching yon little town : where the white hue,
    Spread blank on the horizon, skirts
    The night-mass there is strife and wavy rush
    Of beams in flush.

    But, as the amber-spotted clouds unroll, 
    One stands in shade of a dark aureole ;
    His deeply-folded loin-cloth and His whole
    Wan body by the changing air
    Made spectral, though the very wounds we see
    Of Calvary.

    Is He indeed the Christ ? Those transverse beams
    Of yon high cross confine Him not ; it seems
    Simply a token. Walking as in dreams
    He has paced onward and holds forth
    Indifferent. His pierced palm : O Life, O Clay,
    Our fears allay !

    But to the people wert Thou crucified ;
    To eyes that see, behold, Thou dost abide
    Dying for ever. Thus Thine Eastertide
    Breaks over Thee,—the crown of thorn
    Laid by, but the whole breaking heart in quick
    Sorrow and sick.

    The dawn is blue among the hills and white
    Above their tops ; a gladness creeps in sight
    Across the silver-russet slopes, but night
    Obscures the mortal ebb and flow
    Flushing Thy veins ; Thy lips in strife for breath
    Are full of death.

    For Thou art bleeding, bleeding; we can trace
    Naught but a dizzy sickness in Thy face ;
    Thine eyes behold us not, yet round the place
    Whence flows Thy blood Thy conscious palm
    With fervour of unbated will doth cling,
    Forcing its spring.

    Thou standest not on earth, but raised apart
    On a stone terrace, rich in cunning art ;
    Behind Thee, figures, diligent to start
    An altar-flame, in low relief
    Are traced on tablets of a marble ledge
    At the floor's edge.

    Blithe Pagan youths sculptured behind Thee go
    Processional to sacrifice ; some blow
    A horn, some feed the censer, none can know
    What he should do ; but Thou dost give
    Thyself and consecrate their rites, how vain,
    O Lamb fresh slain !

    Is it Thy Father's house, this pavement rare
    Of chequered marbles, pale and brown, and there
    For Thy beloved thus must Thou prepare
    A place ?—Across the burnished floor,
    Save that an uplift urn its stream hath stopped.
    Thy blood had dropped.

    Once crucified and once given to the crowd,
    But to Thy Church for aye a Victim vowed, 
    Thou dost not die, Thy head is never bowed
    In death : we must be born again ;
    Thus dying by our side from day to day
    Thou art the Way.

    An angel kneels beside, in yellow sleeves
    And robe of lovely, limpid blue ; he heaves
    With steady hand a chalice that receives
    The torrent of the precious blood.
    His ruddy hair, crisp, rising from the roots, 
    Falls in volutes.

    Was he the angel bidden to infuse
    Strength, when the Saviour yearned and could not choose
    To drink the cup ?—He has bright, scarlet shoes,
    Plumes lit by the jay’s piercing blue, 
    Yet kneels distressful service to perform
    By this gaunt form.

    One thing they have alike ; the curls that fleck
    The angel's temples in profusion deck
    His Master's, silken on the staring neck.
    Marred Son of Man, Thou once wert fair
    As Israel's ruddy King who faintest thus :
    Thou drawest us.

    There is no light athwart these eastern skies
    For us, no joy it is that Thou dost rise—
    Our hope, our strength is in Thy sacrifice :
    To-day, to-morrow must Thou die,
    For ever drawing all men to Thy feet,
    O Love most sweet !

     

     

    Giovanni Bellini

    The National Gallery
     

    SUNRISE is close: the upper sky is blue
    That has been darkness ; and the day is new,
    Bleaching yon little town : where the white hue,
    Spread blank on the horizon, skirts
    The night-mass there is strife and wavy rush
    Of beams in flush.

    But, as the amber-spotted clouds unroll, 
    One stands in shade of a dark aureole ;
    His deeply-folded loin-cloth and His whole
    Wan body by the changing air
    Made spectral, though the very wounds we see
    Of Calvary.

    Is He indeed the Christ ? Those transverse beams
    Of yon high cross confine Him not ; it seems
    Simply a token. Walking as in dreams
    He has paced onward and holds forth
    Indifferent. His pierced palm : O Life, O Clay,
    Our fears allay !

    But to the people wert Thou crucified ;
    To eyes that see, behold, Thou dost abide
    Dying for ever. Thus Thine Eastertide
    Breaks over Thee,—the crown of thorn
    Laid by, but the whole breaking heart in quick
    Sorrow and sick.

    The dawn is blue among the hills and white
    Above their tops ; a gladness creeps in sight
    Across the silver-russet slopes, but night
    Obscures the mortal ebb and flow
    Flushing Thy veins ; Thy lips in strife for breath
    Are full of death.

    For Thou art bleeding, bleeding; we can trace
    Naught but a dizzy sickness in Thy face ;
    Thine eyes behold us not, yet round the place
    Whence flows Thy blood Thy conscious palm
    With fervour of unbated will doth cling,
    Forcing its spring.

    Thou standest not on earth, but raised apart
    On a stone terrace, rich in cunning art ;
    Behind Thee, figures, diligent to start
    An altar-flame, in low relief
    Are traced on tablets of a marble ledge
    At the floor's edge.

    Blithe Pagan youths sculptured behind Thee go
    Processional to sacrifice ; some blow
    A horn, some feed the censer, none can know
    What he should do ; but Thou dost give
    Thyself and consecrate their rites, how vain,
    O Lamb fresh slain !

    Is it Thy Father's house, this pavement rare
    Of chequered marbles, pale and brown, and there
    For Thy beloved thus must Thou prepare
    A place ?—Across the burnished floor,
    Save that an uplift urn its stream hath stopped.
    Thy blood had dropped.

    Once crucified and once given to the crowd,
    But to Thy Church for aye a Victim vowed, 
    Thou dost not die, Thy head is never bowed
    In death : we must be born again ;
    Thus dying by our side from day to day
    Thou art the Way.

    An angel kneels beside, in yellow sleeves
    And robe of lovely, limpid blue ; he heaves
    With steady hand a chalice that receives
    The torrent of the precious blood.
    His ruddy hair, crisp, rising from the roots, 
    Falls in volutes.

    Was he the angel bidden to infuse
    Strength, when the Saviour yearned and could not choose
    To drink the cup ?—He has bright, scarlet shoes,
    Plumes lit by the jay’s piercing blue, 
    Yet kneels distressful service to perform
    By this gaunt form.

    One thing they have alike ; the curls that fleck
    The angel's temples in profusion deck
    His Master's, silken on the staring neck.
    Marred Son of Man, Thou once wert fair
    As Israel's ruddy King who faintest thus :
    Thou drawest us.

    There is no light athwart these eastern skies
    For us, no joy it is that Thou dost rise—
    Our hope, our strength is in Thy sacrifice :
    To-day, to-morrow must Thou die,
    For ever drawing all men to Thy feet,
    O Love most sweet !