The Rescue

    Image: 

    Jacopo Robusti, called Tintoretto, The Rescue of Arsinoe (c.1556). Oil on canvas. 153 x 251 cm. Gemäldegalerie Alte Meister, Dresden. http://cavallinitoveronese.co.uk/general/view_artist/79, 15 September 2015.

    Tintoretto

    The Dresden Gallery
     

    GREY tower, green sea, dark armour and clear curves 
    Of shining flesh ; the tower built far into the sea 
    And the dark armour that of one coming to set her free 
    Who, white against the chamfered base,
    From fetters that her noble limbs enlace 
    Bows to confer 
    Herself on her deliverer : 
    He, dazzled by the splendid gift, 
    Steadies himself against his oar, ere he is strong to lift 
    And strain her to his breast : 
    Her powerful arms lie in such heavy rest 
    Across his shoulder, though he swerves 
    And staggers with her weight, though the wave buoys, 
    Then slants the vessel, she maintains his form in poise. 

    Her sister-captive, seated on the side 
    Of the swayed gondola, her arched, broad back in strain, 
    Strikes her right ankle, eager to discumber it of chain,
    Intent upon her work, as though 
    It were full liberty ungyved to go. 
    She will not halt, 
    But spring delighted to the salt, 
    When fetterless her ample form 
    Can beat the refluence of the waves back to their crested storm. 
    Has she indeed caught sight 
    Of that blithe tossing pinnace on the white 
    Scum of the full, up-bearing tide? 
    The rose-frocked rower-boy, in absent fit 
    Or modesty, surveys his toe and smiles at it. 

    Her bondage irks not ; she has very truth 
    Of freedom who within her lover's face can seek 
    For answer to her eyes, her breath, the blood within her cheek— 
    A soul so resolute to bless 
    She has forgot her shining nakedness 
    And to her peer 
    Presents immunity from fear : 
    As one half-overcome, half-braced, 
    The man's hand searches as he grips her undulating waist : 
    So these pure twain espouse 
    And without ravishment, mistrust, or vows 
    Of constancy fulfil their youth ; 
    In the rough niches of the wall behind 
    Their meeting heads, how close the trails of ivy wind ! 

     

    Tintoretto

    The Dresden Gallery
     

    GREY tower, green sea, dark armour and clear curves 
    Of shining flesh ; the tower built far into the sea 
    And the dark armour that of one coming to set her free 
    Who, white against the chamfered base,
    From fetters that her noble limbs enlace 
    Bows to confer 
    Herself on her deliverer : 
    He, dazzled by the splendid gift, 
    Steadies himself against his oar, ere he is strong to lift 
    And strain her to his breast : 
    Her powerful arms lie in such heavy rest 
    Across his shoulder, though he swerves 
    And staggers with her weight, though the wave buoys, 
    Then slants the vessel, she maintains his form in poise. 

    Her sister-captive, seated on the side 
    Of the swayed gondola, her arched, broad back in strain, 
    Strikes her right ankle, eager to discumber it of chain,
    Intent upon her work, as though 
    It were full liberty ungyved to go. 
    She will not halt, 
    But spring delighted to the salt, 
    When fetterless her ample form 
    Can beat the refluence of the waves back to their crested storm. 
    Has she indeed caught sight 
    Of that blithe tossing pinnace on the white 
    Scum of the full, up-bearing tide? 
    The rose-frocked rower-boy, in absent fit 
    Or modesty, surveys his toe and smiles at it. 

    Her bondage irks not ; she has very truth 
    Of freedom who within her lover's face can seek 
    For answer to her eyes, her breath, the blood within her cheek— 
    A soul so resolute to bless 
    She has forgot her shining nakedness 
    And to her peer 
    Presents immunity from fear : 
    As one half-overcome, half-braced, 
    The man's hand searches as he grips her undulating waist : 
    So these pure twain espouse 
    And without ravishment, mistrust, or vows 
    Of constancy fulfil their youth ; 
    In the rough niches of the wall behind 
    Their meeting heads, how close the trails of ivy wind !